From the book Visual Thinking by Rudolph Arnheim:
By the time the competition for college placement becomes acute, it is a rare high school that insists on reserving for the arts the time needed to make their practice at all fruitful. Rarer still is the institution at which a concern with the arts is consciously justified by the realization that they contribute indispensably to the development of a reasoning and imaginative human being. This educational blackout persists in college, where the art student is considered as pursuing separate and intellectually inferior skills, although any “major” in one of the more reputable academic areas is encouraged to find “healthy recreation” in the studio during some of his spare hours. The arts for which the bachelor and master are certified do not yet include the creative exercise of the eyes and hands as an acknowledged component of higher education.
The arts are neglected because they are based on perception, and perception is disdained because it is not assumed to involve thought. In fact, educators and administrators cannot justify giving the arts and important position in the curriculum unless they understand that the arts are the most powerful means of strengthening the perceptual component without which productive thinking is impossible in any field of endeavor. The neglect of the arts is only the most tangible symptom of the widespread unemployment of the senses in every field of academic study. What is most needed is not more aesthetics or more esoteric manuals of art education but a convincing case made for visual thinking quite in general. Once we understand in theory, we might try to heal in practice the unwholesome split which cripples the training of reasoning power.
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